Taylor Swift & Travis Kelce's Romance Inspires New Holiday Movie

A new Lifetime Christmas movie titled 'Christmas in the Spotlight,' inspired by Taylor Swift and Travis Kelce, will premiere as part of Lifetime's holiday program. It follows a pop star and a football player's romance amid public scrutiny. Hallmark also tackles NFL themes with 'Holiday Touchdown: A Chiefs Love Story.'

According to The Hollywood Reporter, a new Lifetime Christmas movie inspired by the romance between pop star Taylor Swift and NFL player Travis Kelce is set to air later this year. Titled 'Christmas in the Spotlight,' the film will be part of the network's annual holiday programming, 'It's a Wonderful Lifetime.'

The film follows Bowyn, a pop star portrayed by Jessica Lord, who meets Drew, a professional football player played by Laith Wallschleger, backstage at one of her concerts. Following Drew's public declaration of his crush, the two start a relationship. Their growing feelings face challenges from the media, paparazzi, and their families. The Hollywood Reporter describes the movie's plot as dealing with the pressures of questioning the authenticity of their relationship.

Adding a festive twist, the couple must decide by Christmas whether their love will endure. The film features TV host Jeannie Mai as Bowyn's manager and TikTok influencer Haley Kalil as Drew's sister-in-law.

Though the movie isn't officially based on Swift and Kelce's relationship, it bears striking similarities. Kelce attended one of Swift's concerts and expressed his interest via his podcast, leading to their romantic involvement. Swift was later seen supporting Kelce at Kansas City Chiefs games. Hallmark, Lifetime's rival, will also delve into NFL romance with 'Holiday Touchdown: A Chiefs Love Story,' featuring Kansas City Chiefs branding.

'Christmas in the Spotlight' is penned by Eirene Tran Donohue and directed by Michelle Ouellet. Off Camera Entertainment produces the film, with Stephanie Slack, Margret Huddleston, Richard Foster, and Chet Fenster serving as executive producers.

(With inputs from agencies.)