Art in Discarded Pages: Nidhi Agarwal's Dichotomous Salon

Painter Nidhi Agarwal's exhibition, 'The Dichotomous Salon' at Nature Morte, features collages made from discarded materials. Her large portraits, reminiscent of F N Souza, explore the dichotomy in human nature, creating a 'play zone' of layered materials which reflect on societal harmony and conflict.

Painter Nidhi Agarwal's latest exhibition, 'The Dichotomous Salon,' at Nature Morte, ingeniously uses discarded books, notebooks, and magazines to craft compelling collage portraits. These pieces evoke the aura of modernist F N Souza's works, each constructed from found and recycled materials.

The exhibition showcases large-scale artworks, with some measuring over 10 feet. Agarwal sees even the smallest scrap of paper as treasure, integral to her creative expression. By layering these fragments, she creates a 'play zone' of materials which eventually become detailed portraiture.

Agarwal's art delves into the dichotomy existing in human interactions, likening it to cultural and societal paradoxes. These portraits are narratives of individuality and collective identity, reflecting the complex blend of genetics, geography, and social dynamics.

(With inputs from agencies.)