Embracing the Void: Abhay K's Shunyata Exhibition Illuminates Immanence

Artist Abhay K's latest exhibition, Shunyata | Emptiness, explores the Buddhist philosophy of emptiness through minimalist art. The collection reflects impermanence with dynamic forms that shift from detail to abstraction. Visitors describe the exhibit as a transformative experience, blending Eastern thought with Western sensibilities.


Devdiscourse News Desk | Updated: 07-04-2025 13:30 IST | Created: 07-04-2025 13:30 IST
Embracing the Void: Abhay K's Shunyata Exhibition Illuminates Immanence
Abhay K unveils "Shunyata" - A Meditation on Emptiness and Form (Photo/ANI). Image Credit: ANI
  • Country:
  • India

Celebrated artist, poet, and diplomat Abhay K has launched his new art exhibition titled 'Shunyata | Emptiness.' This exhibition, which opened on April 5, is a powerful visual exploration of the Buddhist concept of Shunyata, focusing on the absence of inherent existence.

Drawing inspiration from the profound phrase of the Heart Sutra, "Form is emptiness, and emptiness is form," the exhibit prompts viewers to engage with the transient nature of life through minimalist and contemplative art. Abhay K revealed that his inspiration took root in a moment of quiet reflection when he observed forms appearing and disappearing on a blank canvas, mirroring life's impermanence. This sparked a series of paintings where forms and voids blur, challenging the viewer's perception of stillness and motion.

During the exhibition launch, Abhay K elaborated on the underlying philosophy. He traced the origin of Shunyata to Bodhisattva Avalokiteshvara's teachings at Griddhakuta Parvat in Rajgir, India, a place connected to his own heritage. His canvases, vibrant and textured with layered strokes, shift from detailed forms to abstract hues and shadows when viewed from a distance, symbolizing the constant transformation of all things. Sushmita, an attendee, shared her admiration for the exhibit, describing it as a 'beautiful experience'. Another visitor, Swarnim Shikha, noted the artwork's dynamic nature, observing how it morphs from a dense forest to an emerald stone, reflecting its formless quality.

(With inputs from agencies.)

Give Feedback