Holy Rights portrays Muslim women’s struggles to break free of patriarchy

The film speaks about the exploitation women face in every walk of life, including in the sphere of religion, asserts Farah.

“Holy Rights documents the movement against triple talaq, it portrays Muslim women’s struggles to break free of patronising voices within the community as well as resist external forces against appropriating their movement to suit their own political agenda. Though the film talks about the Muslim community, in particular, I believe it's an all-pervasive one, on the problem of exploitation of powers of women. It also gives a message that all of us can achieve something if we want to.” This is what Director Farha Khatun had to say about her film Holy Rights, which has been screened under Indian Panorama Non Feature film category at IFFI-51. She was addressing a press conference on Day-6 (January 21, 2021) of the 51st International Film Festival of India, being held in Goa.

The film speaks about the exploitation women face in every walk of life, including in the sphere of religion, asserts Farah. Speaking about the seeds of the film, she mentioned the influences she underwent during her childhood and the experiences that led to the shaping of the film. “I was quite aware of triple talaq since childhood. I have seen and heard many heart-wrenching stories about it, they really affected and influenced me. My quest to know more about the act and its interpretation in The Quran led me to make a film on Safia, a woman Qazi.”

On the choice of the theme, she added: “The subject was selected since, at the time of the making of the movie, there was unrest prevailing in the country over the triple talaq issue. Any attempt to talk about patriarchy within religion is often dismissed.”

“Holy Rights has been quite an experience for me, it has been a journey of five years”, she adds.

(With Inputs from PIB)